Drive (2011) review




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Denmark's Nicolas Winding Refn bakes an electrifying return to Hollywood filmmaking with this particular 1980s-style noir, right down for the synth score and neon-pink credits (he released his American debut, Fear X, in 2003). Ryan Gosling puts his implacable quality to great use as a possible L.A. stunt driver whose world crumbles when he falls for the wrong woman (Carey Mulligan). Irene is hardly a femme fatale, but her incarcerated husband, Standard (Oscar Isaac), is yet another story. When her car breaks down, Driver recommends the car shop where he works together with Shannon (Breaking Bad's Bryan Cranston). The two start hanging out together, however Standard returns from prison. Driver keeps his distance until he discovers that Standard owes protection money. If he doesn't pay up, Irene as well as their son will suffer, so Driver offers to take care of the wheel during a heist, work with which he has over somewhat experience, since the riveting opening sequence proves. When they plan their score with Blanche (Mad Men's Christina Hendricks), Shannon is really a deal having a few gangsters (Albert Brooks and Ron Perlman), but when the plans collide: all hell breaks loose. In adapting James Sallis's novel, Refn builds to your bittersweet denouement, although bursts of bloodshed will test the hardiest of viewers. At its best, though, Drive is just as gripping as Reagan-era crime dramas like To Call Home and Die in L.A. and Thief. --Kathleen C. Fennessy

Ryan Gosling stars being a Hollywood stunt driver for movies by day and moonlights like a wheelman for criminals by night. Though a loner by nature, “Driver” can’t help falling in love together with his beautiful neighbor Irene (Carey Mulligan), a young mother dragged in to a dangerous underworld with the return of her ex-convict husband. After a heist goes wrong, Driver finds himself driving defense for the woman he loves, tailgated by a syndicate of deadly serious criminals (Albert Brooks and Ron Perlman). Soon he realizes the gangsters are after over the bag of cash and is expected to shift gears and go on the offense.









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