Harry Potter and the Deathly Hallows, Part 2 (+ UltraViolet Digital Copy) (2011) review




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The Deathly Hallows: Part 2 will be the film all Harry Potter fans have waited 10 years to see, and also the great news is it's really worth the hype--visually stunning, action packed, faithful on the book, and mature not just in the themes and emotion but within the acting by its cast, some of whom had spent half their lives making Harry Potter movies. Part 2 cuts right for the chase: Voldemort (Ralph Fiennes) has stolen the Elder Wand, one of the three objects required to provide someone handle of death (a.k.a. the Deathly Hallows), with all the intent to hunt and kill Harry. Meanwhile, Harry's quest to eliminate the rest of the Horcruxes (each containing a little bit of Voldemort's soul) leads him first to some thrilling (and hilarious--love that Polyjuice Potion!) vacation to Gringotts Bank, then to Hogwarts, when a spectacular battle pitting the young students and professors (a showcase with the British thesps who have stolen every scene with the series: Maggie Smith's McGonagall, Jim Broadbent's Slughorn, David Thewlis's Lupin) against a dark army of Dementors, ogres, and Bellatrix Lestrange (Helena Bonham Carter, with much less crazy eyes to make this round). As predicted all throughout the saga, Harry also offers his final showdown with Voldemort--neither can live while one other survives--though the physics of these predicament might need a group of crib notes to explain. But while each installment has become progressively grimmer, this finale is the most balanced between light and dark (the dark is quite dark--several familiar characters die, with one significant death particularly grisly); the humor is sprinkled in with the most welcome times, thanks towards the deft adaptation by Steve Kloves (who scribed all but one with the films from J.K. Rowling's books) and direction by four-time Potter director David Yates. The climactic kiss between Ron (Rupert Grint) and Hermione (Emma Watson), capping off a decade of romantic tension, is perfectly tuned to their idiosyncratic relationship, and Daniel Radcliffe has, in the last decade, certainly proven he was the proper kid for the job all along. As Prof. Snape, essentially the most perfect of casting choices in the best-cast franchise of time, Alan Rickman breaks your heart. Only the epilogue (and the lack of chemistry between Harry and love Ginny Weasley, barely present here) stand a bit shaky, but no matter: probably the most lucrative franchise in movie history thus far has just reached its conclusion, and it is done this without losing its soul. --Ellen A. Kim

In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have not been higher and nobody is safe. But it can be Harry who might be called upon to generate the best sacrifice as he draws closer for the climactic showdown with Lord Voldemort. All of it ends here.







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